top of page

Christine Takengny - Curator


Christine Takengny holds a MA in Art History and Education (University of Stuttgart) and a MFA in Curating Contemporary Art (Goldsmiths College). She joined the Contemporary Art Society as Senior Curator for Museums Acquisitions in 2011. She was Junior Curator for Modern and Contemporary Art at Ulmer Museum, Germany and Assistant Curator at Gasworks and the Serpentine Gallery. As Associate Curator for Iniva she curated the exhibition Whose Map is it? New Mapping by Artists. Other curated exhibitions include Tina Hage – Universal Pattern (Kunsthalle Göppingen, Germany, 2022); Shifting Gazes (Yinka Shonibare Guestprojects, London, 2014), Mapping Mobilities (Open Space, Vienna, 2012), the online- exhibition Truth: Connecting the Dots (, 2011), Ethnocentrix – Museums Inside the Artist (October Gallery, 2009) and Weickmann’s Curiosity Cabinet – Hommage with Georges Adéagbo, Candida Höfer and Mathias Beckmann (Ulmer Museum, 2007) and Curating Fictions, a series of talks at the Whitechapel Gallery. Recent texts she published include ‘Curating in the Age of Postcolonialism and Global Migration – Documenta 10 – 14’ (in: Crossing Borders, Transition and Nostalgia in Contemporary Art, 2019). Since 2016 she regularly writes ‘Friday Dispatches’ for the Contemporary Art Society’s weekly newsletter. Christine Takengny was a Goethe-Institute Stipend for a Curatorial Residency in Seoul, South Korea and a Consultant for LOBE – Berlin. From 2019 – 2021 she was Collection Advisor for the UK charity ‘Paintings in Hospital’ as well as Advisor for the Arts Council’s ‘Ambition for Excellence’ Programme in collaboration with the Northern Centre for Contemporary Art/National Glass Centre in Sunderland.


More info:

bottom of page